• Generative Memorization

    Photo by Fredy Jacob on Unsplash

    I’ve been running through Ong’s “Characteristics of Orally Based Thought and Expression”. This week, we’re moving out of characteristics into more heavier and grander Psychodynamics of Orality with…

    Oral Memorization

    To sum up, with an over simplification, Ong’s observation is that literary memorization is verbatim while oral memorization, although claimed verbatim, is more or less general ball park.

    Your modern image of memorization might involve hunching over books and queue cards. Repeating phrases and trying to translate them into your mnemonic device of choice. The goal: precise repetition.

    Those who’ve tried to memorize any Shakespeare might have that daunting feeling.

    Ong focused in on poetry, plays, and sonnets – all things minstrel. An area that would have some of the oldest documents where a select few would try and store it, while also having a deep history of oral traditions.

    He discovered that oral memorization, is unexpectedly different, while really good at mimicry it isn’t exact after all.

    It’s close. It can even fudge complexity, but when broken down there are differences: word variations, name changes, passage alterations. And when looked at very closely the memorization breaks down more into patterns, no matter how complex. The keys to unlock were more like linguistic Lego to mix and match that could create long sonnet’s with complex rhyming structures almost infinitely.

    At the heart of it, is an ability to memorize the general structure, or pattern. Like a joke you tell, so long as you make sure to get the punchline.

    This form of memorization is not unlike nature in a way. Trees, shells, snowflakes, fingers – all are pretty close. Yet, when you break them down they aren’t exactly the same.

    Literate Memorization

    As literacy took hold, we started to offload memorization onto technology. Scrolls & books galore! This memory was more or less published. Memorization became our strong rigid ability to repeat like a printing press in our mind.

    Our literary binary mind loved it. Letters, words and sentences in exact order and location with proper punctuation.

    And then of course to store all of that, the literary mind does what a literary mind does, creates systems to store it.

    Verse numbers, Dewey Decimal Systems, catalogues, and file folders to look it all up, reference and find. More systems, libraries and librarians to be custodians and assist.

    Our “memory” started using physical space to assist. Example: Page 33, like about a third of the book in, and on the page it was the paragraph above that blue and pink graph.

    And then came binary digitization. We continued to file things into millions of folders, suffixed with indicators of data types ( doc, xls, txt, exe ). Oh the folders!

    Then the web came, and folders became so much more! Prefixed with protocols and domains with subdomains and even more suffixes; protocols and slashes and query strings! We offloaded more and more information and memory. And the systems became more an more complex.

    Our memorization was a badge of time and effort. A reward for an exhaustive journey to capture it.

    Current Memorization??

    Then came the search engine.

    This may be the single catalyst for the end of classic literate memorization. Memorization simplified and completely offloaded onto technology.

    While librarians and search catalogues use to do the work, now a single text field was all that was needed.

    Combine this with the smart phone, where this single field is available at all times anywhere you go… and well, off load away. Why store those silly little facts in your mind?

    Then we didn’t even have to type anymore.

    Now we can have even more complex discussions with AI.

    All those complex literary systems wiped under the rug. They still exist in complex code and LLMs and algorithms on the hardware that runs it all, somewhere in the cloud.

    But, in the end what did it do?

    There is no memorization

    With all that information we’ve offloaded now at your finger tips, there’s no need to really memorize anything. The only time you really need it is short term, i.e. you have a test coming up, or want to impress someone for a first date. But long term… purged.

    There’s a million versions

    As we’ve uploaded, the cost has become incredibly cheap. Anyone can post minor variations of anything online. And boy oh boy do they. Variations have become a game of whack-a-mole and cease and desist letters. Each one having it’s validity scrutinized and questioned… even called “fake”.

    And all the while, searchable and usable. It’s a full time job knowing exactly what’s real. But you know which version you believe is, so go with it.

    Precision is out the door

    And just like that, we don’t need to know the little facts anymore. We can ball park it, and when we need that precision of memorization… look it up.

    The only thing we really need to know is how to ask.

    “Generative” Memorization

    Ya – that’s a tongue-in-cheek heading for sure.

    So… Oral Memorization is about generalized patterns; about using systems to unlock and almost generate the facade of precise memorization. It’s close, and that was good enough.

    And our current way of Memorization? It about generalized searches; about using technology to re-discover or download short term which gives the facade of precise memorization. It’ close, and that’s good enough.

    Both of these are generative. The details don’t really matter and It’s all about the gist and the tools to get there.


    A few extra notes

    “But it is exact!”

    Something I found kind of interesting that was skimmed over. Ong quickly noted that those using Oral Memorization swore up and down that they always performed something exactly the same every way. That there version was the same as everyone else’s. And yet, when in actuality it wasn’t.

    Maybe this is because oral culture is coupled with an agonistic nature? Maybe it’s the loss of objectivity? Neither likely won’t admit fallibility. Maybe there’s something else…

    But it is fascinating how there’s a strong ones belief in truth is.

    The Literaty

    This entire topic is about general patterns. In any pattern, there’s anomalies and outliers. I’ve always ball parked it to about 2% – though again, big give or take depending.

    2% of any general group is expected to be high performers or low performers.

    So in that belief- I don’t think everyone will be like this. There will always be those that are more skeptical, analytical, more driven by precision, able to memorize things in ways I don’t understand. The Cultural Development: It’s Cultural and Social Foundations study indicates it could be as high as 15%.

    I jokingly call it The Literaty, ( emphasis on the “ah” – li·ter·ah·tee ). Though in my imagining of our aliterate ( oral ) future, will this group become more be secretive or stay public opposition to what’s happening in the world? I don’t know, after all this is all a theory.

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  • What is my human lifeworld?

    Can I compare Ong’s characteristics of an oral culture with our modern world? If so, what does that mean?

    Photo by Marc-Olivier Jodoin on Unsplash

    This week…

    Close to the human lifeworld

    According to Ong, an oral culture “must conceptualize and verbalize all their knowledge with more or less reference to the human lifeworld, assimilating the alien, objective worlds to the more immediate, familiar interactions of human beings.”

    That’s a long winded way of saying, if it’s not real, or more specifically, not real to me, I’m not going to get it.

    Oral minds don’t like abstract.

    Ong, then proceeds to look at a really old play/book called the Iliad and the many examples of using metaphors that involve physicality such as “draw on”, “gather upon”, “embark“, …. Where the narrator uses this linguistic devise to keep the audience mentally moving with the plot.

    The physical language, is intended to keep an oral culture somewhat engaged.

    Side note: Why the old book? Because the older the writing, the closer to primary orality the person who wrote may have been. It’s like asking your grandmother to tell you about the internet. While not exact, the language used or phrasing, would show mental patterns that proceeded it, or when it was truly foreign.

    Ong’s ultimate point, is a oral mind abhors the abstract

    This idea is supported in an interesting study Cultural Development: It’s Cultural and Social Foundations by A.R. Luria. Which found a rare primary oral culture and studied it’s transition into literacy.

    There’s loads of examples in the study that support this idea. Mostly oral minds won’t infer and even refuse to categorize or theorize something they’ve never experienced. Even guessing what someone would think of an outcome was balked at.

    On oral mind:Sure I could theorize why someone wears a red hat, but what’s the point because I don’t know anyone who wears red hats.

    De-abstracting into our lifeworld

    So how are we de-abstracting things and bringing them into out human lifeworld? I Immediately can come up with 3 things

    YouTube how-to’s

    Ong outlines that that this not-relevant-to-me-like thinking extends to to-do lists and how-to manuals. That they would make no sense without seeing or experiencing the actions for oneself.

    I wasn’t so sure about that. But then I started thinking, when was the last time I “read” a how-to?

    I can’t. My wife repeats those TikTok recipe video’s over and over when making something new.

    Me, I had an opportunity to watch my family, and my brother, or from time to time the food network. I always imagine myself as the them. Watching their hands move or techniques to stir and flip. Like I am their apprentice with them, watching.

    The only thing I read is the ingredients and rough timelines in between. Oh the scrolling and scrolling I skim on these blogs that hide the actual recipe miles and miles down on the post.

    Is this that oral mind kicking in? Or the aliterate one… stop the prose for the love of all things!

    Resume’s and the Interview

    Those who know me, know I’m in a transition period of my life. But what jumped out to me related to this is …

    The resume is an abstract representation of my work life.

    So how do businesses convert that abstract to life? How do they cut the abstract?

    More specifics – I’ve found over the years the need for more and more specificity, more concrete proof of knowledge with specific metrics to “let us draw upon” experience.

    More interviews. – It used to be one maybe at most three, but it’s looking like that number is increasing and they are getting harder and longer. If you pass the resume, then everyone related to your new job, needs to feel buy in and comfort and the only real way, is to bring you into their lifeworld. Which of course means… more interviews.

    The real-ification of Disney

    Disney is on a big push to make “real” all of their classics. The driver of this could be the economics, or the copyrights, or a million other reasons. At the end they wouldn’t do it if it wasn’t resonating with their audience. Any why is it resonating?

    Cartoons aren’t real. They are abstractions of the human lifeworld. The older the cartoon, the more abstract. Newer computer animation have at least some basis on real world physics, older hand drawn animation are more interpretative movements.

    And it’s now not just Disney, my kids are super excited to see the real-ification of How To Train A Dragon.

    How this applies to my real world

    I’m sure there’s other examples I’ll think of over time.

    But to end this little exploration off, is to bring it all back to what it means for us. News.

    News contains a bunch of things that aren’t in my world: cities and streets I’ve never been to; cultures and people I don’t know about; food I’ve never heard of or tasted; situations I would never in a million years see myself in.

    If my oral brain were to be exposed of to any news that isn’t in my human lifeworld, I wouldn’t get it. It wouldn’t stick. I may even think it’s fake.


    Wait… have you seen “Italian Brainrot”?

    It was Marshal McLuhan’s birthday recently, and in homage, I’m looking at a strange “meme” or art form my kids love. McLuhan referred to art as a DEW…

    Distant Early Warning system, that can always be relied on to tell the old culture what is beginning to happen to it

    And Italian Brainrot has to be a distant early warning; a commentary on what is and what isn’t in our human lifeword, pushed to an extreme.

    It’s this strange mashup of reality. A generative AI interpretation of what could really happen if you take two random things to combine them: A ballerina and a cappuccino, a shark and Nike sneakers, a monkey with a banana body. The list goes on – have fun searching up all the characters, I know my mind was a little blown, and still is a bit by this one.

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  • Information Economy: Now with Time

    Photo by Morgan Housel on Unsplash

    Today I saw that the Georgia Straight launched an insiders club. And one of the perks, reminded me of an idea:

    – Access to 55 years of iconic Straight stories and archives

    A quick skim through my archive, and I’m not sure if I’ve succinctly shared my idea, so here we go.

    Time & Information

    It’s no longer just an information economy. It’s an Information & Time economy.

    You want to see a new movie?

    • pay big bucks for the whole theater experience
    • or pay specifically for the streaming service that will exclusively pick it up
    • or wait a little longer, not pay for any new streaming services and hope your primary streaming service you pay for will pick it up

    Information and Immediacy are now intermingled. We juggle and mix and match to our own liking. But they are never independent. Like the classic design triangle.

    Good – Fast – Cheap
    (pick two)

    Yet outside of watching publications purging their archives from the public, and then making it all or nothing access I I haven’t really seen much experimentation:

    • You want access immediately when published ( aka the fire-hose )? 💲💲💲
    • You want retroactive access to what we’ve released over last week or yesterday? 💲💲
    • You want retroactive access to what we’ve released over last month? 💲
    • You want access to anything we’ve released two months or older, sure… you can have that for free.
    • Oh you want archival access? Last year? 💲
      • For the last 5 years? 💲💲
      • For the last 10 years? 💲💲💲
      • The complete archive? 💲💲💲💲

    Traditional Models

    Business models are being inspired by the old models that worked.

    For the streaming wars: old TV advertising models are back hard; weekly time releases; live streaming events and shows – all of which, for the most part, people were “OK” with it and it worked.

    Now for publication cycles. Why isn’t there more. At one point there were daily/weekly/monthly releases. They could be again. It was fine by us at the time.

    I think all the old will be “new” again. We’re seeing it creep every forward, daily.

    BTW: I’m still waiting for an AI version the Talking Yellow Pages.

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  • Weeknotes 2025-07-18

    Photo by Marek Pavlík on Unsplash

    Tried to flex some digital art since my last weeknotes… and no, this one isn’t mine, it’s by Marek Pavik, and I found it on Unsplash.

    Why? I’m a fragile artist.

    Along the way I discovered a few things:

    I remember, I am an artist

    Just writing that, and posting it online for the world to see oddly feels scary. But why? I have been an artist in some fashion my whole life. In my 20’s I self published poetry books and zines. I was a union card holding musician. I drew. I wrote. I yelled at the top of my lungs “Look at me create! I dare you to stop me!”

    And then… I stopped.

    Food. Rent. Bus Pass.
    Car. Insurance. Phone Bills.
    Cable. TV. Internet. Computer.
    Family. Mortgage.
    Diapers. Toys.
    Provide. Summer Camps. Swimming Lessons.
    Toys. Oh the Toys.
    Care for others. Take care of others.

    One of the classic nay saying phrases from even personal help book on the planet ringing in my head, “Art doesn’t pay for these things.”

    But it could.

    Geek & art is complex

    A while back I removed windows from all my personal computers. I switch every non work computer to Linux ( Ubuntu for those curious ). And that fared well until… well… this.

    Turns out Adobe and Affinity don’t do Linux. So that digital art… there are ok alternatives. I’ve been adjusting fine to Inkscape. Haven’t done any full photo editing yet, to really hunker into the choices that work for me.

    Audio and Linux are overly complex. It does show how much magic is required for good digital sound. I have yet been able to figure out how to get music to sound as good as it should. Drivers, hack on hack on hack. And while I can do it, why do I even have to?

    I haven’t even gotten into real audio editing. I am a well trained Adobe Audition editor, and I’ve had to hobble on Audacity a few times. And it ended up…ok. Again… I could do it… but why did I even have to?

    Need to get back …

    Again cliché, but it’s time to get back. Create. Try something different. Throw it against the wall and see if it sticks.

    Practice. Experiment. Find time for it. Nurture it.

    Maybe then, I’ll feel brave enough to share it… again.

  • It all looks the same

    Photo by Dhruv P on Unsplash

    …I’ve kinda given away the ending.

    But let’s rewind.

    Next up in my ever continuing exploration of Ong and Oral Culture

    Conservative or traditionalist

    It’s fair to say oral cultures moves slowly. Things were moving at a pretty chill pace until that good old day in 1450 when Gutenberg turned on the press.

    Ong says it’s all because of mental load. An oral culture doesn’t have room for new things. It takes a long time for new things to stick. Without the written word to do the repeating, new idea’s must be all word of mount, and repeated at nauseam.

    An oral mind relies heavily on patterns and repetition. On sticking with the old things because the new things hurt.

    “Oral cultures do not lack originality of their own kind”

    When I first read that, I thought maybe his literate bias was showing. I’ve said if before, Ong does a very good job at staying unbiased towards orality in his Orality and Literacy. Maybe it was faltering a bit here.

    Ong is also very delicate in his use of words. He didn’t say “oral cultures do not lack originality”, he says, “… originality of their own kind.”

    Some technology seems to come out of nowhere. You think… holy smokes where did this come from: ovens, fridges, cars, planes, computers, quantum computers.

    Maybe the type of originality of an oral culture is through variations on a theme; slowly changed over time until the invention or “new” thing seems inevitable.

    Scissors – take two swords and connect them so they cut up and down at the same time.

    The sandwich – We have meat. We have bread. Why aren’t they together?

    Where have the new things gone?

    And we’re back to the “same same but different”

    Music, fashion, movies, are all feeling like a repetitive loop of what’s come before. The Spaceballs 2 teaser I posted previously echos this sentiment.

    Do you think cars are all ending up looking the same?

    Logo’s all look the same?

    Websites all feeling the same?

    Maybe it’s because our collective oral mind. We’re loosing the cognitive load to take something too different.

    The million user test

    But, look how fast we signed up for ChatGPT or Threads!

    Ong points out,

    In oral tradition, there will be as many minor variations of a myth as there are repetitions of it, and the number of repetitions can be increased indefinitely

    Is ChatGPT really much different than ICQ? Is Netflix so far off from TV? When twitter came out, was it so foreign? You used to send it text messages.

    I don’t think it’s that we won’t all flock to the latest “thing”. I just question our future appetite for true novelty. Newer is ok. Newest if fine. New New? I’m feeling doubtful.

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  • Weeknotes 2025-07-04

    Photo by Mārtiņš Zemlickis on Unsplash

    I want to work on trying to think more like a marathon runner.

    Perhaps it’s the ADHD, perhaps it’s the situation I’m in.

    I tell my kids all the time of The Tortoise and the Hare. I say to myself, I’m not the hare because I’m not cocky and rarely nap. But…

    Maybe I’m hare-like. I do these insane short bursts. I do everything. I run and I run so fast that I crash. My crashes are mostly mentally and emotionally, which my wife loves 🤨

    Also, when I’m in my particular position I say yes to everything, what else am I doing? I make a mountain pile on my shoulders so big… then a subtle wind from life, let’s say a little girls upcoming 4th birthday party, and down it all crumbles.

    I need to get back to simple, slow and, steady.

  • Weeknotes 2025-06-27

    Photo by Growtika on Unsplash

    I’ve been trying to flex the brain a bit more since my last weeknotes.

    Orality and Ong

    I’ve continued my journey comparing today’s world with Ong’s characteristics of an oral culture:

    It’s coming along. I’m enjoying some of the interesting things I’m connecting with. Still not sure how to tie a bow on all of this. However, That’s the reason for the exercise, to explore.

    ActivityPub

    I’ve also continued my exploration of what could be an ActivtyPub platform for me to tinker on all AP idea’s. I’ve taken months to hunt and try a bunch of possibilities out. They are all are really good in their own way, but to me, feel like I’m strong arming what I want it to do. So… I’ve started and stopped and started and stopped, and now I’m started again to do the silly thing, and build something for me and my own brain.

    • Using PHP – because everyone has a server for PHP. Plus it’s the simplest for my hosting and my budget, which should be no more than I’m already spending on hosting.
    • Using Slim PHP – because I want to keep this light. Laravel and Symphony are great, but overkill at the moment. If this becomes “a thing”, then a rebuild would be in the cards, but that’s a 2.0 or 3.0 problem.
    • ActivityPub first – this is where I’ve found my mental problems. Many implementations feel like you’re always fighting some dissonance with a core foundation. It’s an extension, a plugin, a layer it on top of.. all of which work… but… not quite what I’m looking for.
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  • The Case of Copious Callback

    Photo by Jed Adan on Unsplash

    Last week I hammered out a couple more traits of Ong’s Characteristics of Orally Based Thought and Expression. Next:

    Redundant or ‘copious’

    Time for Redundant Repetition

    In oral culture, we repeat a lot. A lot of what we say, we say again and again.

    It’s needed. In a long oral rendition, there is nothing to remind you of that one important thing you needed to remember. So, according to Ong, in oral culture’s, we say it again but in a different way.

    While my very very small kids may repeat themselves, my observations are for the most part in a single instance, we don’t do all that much repetition.

    Where I think things get a little interesting, is perhaps our interactions aren’t isn’t long enough to require the kind of repetition that primary oral cultures required.

    Perhaps our fleeting nature requires more copia than repetition, or perhaps repetition in new technological ways?

    Copious Repetition

    Through various uses of repetitive symbols, linguistic formulas, mnemonics, and other means and technology we do repeat ourselves over and over again.

    In rhetoric, copia, is richness and amplification for stylistic goals. And boy oh boy I think we are copious. We are barraged on a daily basis: “Buy now”, “smash like”, “now this”, “welcome back”.

    Neurologically loud and grandiose media and people. Our technology is built around copia.

    Every fashion, every meme, every song, every book, every perspective open and available and on repeat through the internet in some form or fashion.

    The callback.

    All this talk about repetition and copia, has me thinking about a particular rhetoric device that want to look more into. “The callback”

    TV shows, podcasts, movies now make a game of it. Bringing not only phrases but all things into repeat. Testing our minds with a line or movement from the first Iron Man repeating into the final Avengers or referring to the audience always as Tracey.

    Designing a way to create a repeatable and special call and response that engrains you to a tribe so that others who was it, had no comprehension of it’s meaning.

    It’s a very modern and complex use of repetition.

    Is this like secret handshakes, and symbols. Before literacy we use to have many secret societies filled with rituals and artifacts that could be used or displayed in public with only this “in the know” able to understand.

    Recap

    But back to my point. Let me repeat. Are we redundant or “copious”?

    Scroll through a social media stream. Watch yet another variation of Minecraft YouTube video. Watch the sequel or the prequal, or the remake of the sequels prequal, and you tell me.

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  • FOMO, YOLO, and FOLO?

    Time has opened up for me; so has my ability to keep focusing on my exploration of Ong’s characteristics of an oral culture.

    Today’s target is

    Aggregative rather than analytic

    Linguistic Formulas

    “The elements of orally based thought and expression tend to not be so much simple integers as clusters of integers…” He goes on to explain it’s clusters & phrases. His examples are “not the soldier, but the brave soldier not the princess, but the beautify princess.”

    Oral cultures tend to be consistent in using consistent descriptive adjectives. Not simply saying a soldier or princess. This doesn’t exclude the opportunity for an alternate adjectives such as, his examples, “braggart soldier” or “unhappy princess” but the default position is this aggregate term and default aggregate repeated over and over until normalized.

    These might not really ring so true today in terms of simple descriptive adjectives. However when you expand the language to longer phrases, and acronyms, things start to become interesting.

    • YOLO – You only live once
    • FOMO – fear of missing out
    • MAGA – make america great again
    • GOAT – greatest of all time
    • BFF – best friends forever
    • LMAO – laugh my ass off
    • LOL – laugh our loud.
    • ROFL – roll on the floor laughing
    • PITA – pain in the ass
    • TMI – too much information
    • NSFW – not safe for work

    All of these can be used otherwise yet we don’t.

    I could reveal some thing intimate and use alternate words, but I don’t. I say TMI, keeping the phrase intact and crystalized.

    Each acronym or phrase cannot be altered. FOLO is not a thing.

    … rather than analytic

    Now comes the analytic part. For Ong, the argument was simply put that “Without a writing system, breaking up thought – that is, analysis – is a high risk process.” He then drops-the-mic with a quote from Levi-Stauss, “the savage [i.e. oral] mind totalizes.”

    Essentially he’s saying that oral thought cannot piece meal a concept. It can not look at something in isolation but must have context, inter-connection, situation, as a whole. Saying “a friend” would be like…

    It would be an unfinished sentence to an oral mind and require the formula and some form of aggregate language.

    Is that to say, if I say “best friend” would an oral mind place it in the default position and complete the phrase adding “forever”? If I were to mention “laughing” would there be mental chaos because someone isn’t sure if I’m doing it “out loud” or “rolling on the floor” from it?

    Perhaps the term itself is negated and ignored? Thinking, “they aren’t really friends because Nick never clarified it was best or forever.” Or, “He didn’t ‘literally’ laugh because he didn’t say it was out loud.”

    Maybe for the aliterate a little analysis is allowed? But perhaps not too much.

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  • We are deep in “it”

    Photo by Mike Erskine on Unsplash

    Welcome back to the exploration of Ong’s characteristics of an Oral Culture. Today, We’re going to tackle…

    Empathetic and Participatory Rather than Objectively Distanced

    “For an oral culture learning or knowing mean achieving close, empathetic, communal identification with the known… Writing separates the knower from the known.”

    Meaning that literacy can give distance and objectivity to a topic, to a perspective, to a way of life.

    Reading a book ,the thoughts of someone else meld with our own. We get to wear their skin for a moment in our silence.

    Writing, is an externalization of thought. Seeing our words on paper or screen vents them from our interior creating a reflective mirror; a recording – it’s us, but not. Through it, we have the opportunity to be critical of ourselves, like a mirror that lets me be critical of some of my t-shirt choices.

    And as we delve into our oral nature… we remove these moments of distance.

    We entrench ourselves into thoughts and opinions. We build up walls and listen only to the songs we know, read only the things we already read.

    Does it feel like the world is being objective?

    I can tell you it doesn’t for me. If feels, to me, that people are hunkering into their camps and doubling down.

    We blame social media. That it has given us our rose coloured glasses. It force feeds us biased media & ads base on demographics, personas, geolocation and algorithms. It does so to the point where we don’t see anything outside of our little bubble.

    But… perhaps…

    Perhaps even if it did, would we choose to see/hear it? Aliterate means we can read ( a little ) and choose not to. We could learn about someone else yet, like reading, choose not to.

    Perhaps we are all losing our objectivity to even care?

    Debate requires objectivity. Debate requires some sense of distance from a topic to allow ourselves to be open.

    Instead, as Ong points out, as an oral culture we start to identify with the known. We become the perspective and anything else, becomes more and more foreign to us.

    The Actor

    Is the actor ( or performer ), the only one who has the capacity and the tools in an oral or aliterate culture to truly step in and out of someone else’s perspective? They have, or are working on the ability to empathize and identify with someone foreign. They walk, talk and even breath like someone else for a moment. The goods ones, in my opinion, push themselves further and further from themselves.

    Is that part of our collective fascination and admiration of them?

    I’m going to have to go off and ponder that like this for a few moments…

    AI photo prompt: “picture of someone, shadow only, dramatically thinking alone on a stage in front of an empty theater”

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